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Capsule - Almost Complete Discography 28 March 2001--7 March 2012 Hey everyone!It feels like forever since I’ve uploaded anything. To make a long story short, I’ve been dealing with some health issues and learning to adjust with everything that comes with that. I would like to once again upload one album per day, but right now I don’t know if that’s feasible, since my time is turbulent dealing with aforementioned issues. Thus, tonight I’m uploading something larger than usual.Capsule is an electronic duo featuring Yasutaka Nakata and vocalist Toshiko Koshijima. The former is a well-known producer, being the man behind most of the music by J-Pop sensation Purfume, as well as the composer for soundtracks for television shows like Liar Game. Nakata does a lot in the industry these days, but his roots begin with Capsule. The duo formed in late 1997 before either Nakata or Koshijima had graduated high-school. Their formative years were influenced by late 90’s Shibuya-kei bands, lacking the over-arching use of synthesizers that would quickly dominate Capsule’s music. Comparing their 2001 debut album High Collar Girl to any other punctuates their change in tone and texture. Later albums would include more dance and techno elements, although not entirely sacrificing some of their earlier lounge and even jazz stylings.This collections contains their seven maxi-singles from 2001–2004 and the following studio albums:1. High Collar Girl2. Cutie Cinema Replay3. Phony Phonic4. SF—Sound Furniture5. NEXUS 20006. Lounge Designers Killer7. Fruits Clipper8. Sugarless Girl9. rmx10. Flash Back11. More! More! More!12. Flash Best13. Stereo Worxxx14. World of FantasyI own their most recent studio album, Caps Lock, but couldn’t find my copy, so I apologize for not including it. Although I’m pretty sure it’s already available here on NyaaTorrents anyway.As always, enjoy the music everyone!
07/04 13:14 naruto
Miyavi - This iz The Japanese Kabuki Rock 19 March 2008 In 1999 I was a fan of the visual-kei band Dué le Quartz, who completed their line-up that year when Miyavi replaced the existing guitarist. The band did not last long. Dué le Quartz broke up in 2002. The reason seemed to be internal conflict over the band’s musical direction, which lead to bassist Kikasa leaving, and that was the end of Dué le Quartz. Miyavi—under the name Miyabi at the time—was beginning to create solo work in 2002 prior to the break up. He quickly signed with a record label and released his debut album, Gagaku, a mere forty-one days after Dué le Quartz’s final concert.Miyavi has proven himself to be a top-quality talent in the decade since his solo debut. His early music was reminiscent of his work with Dué le Quartz, but he soon began incorporating elements of pop, electronic, and aucoustic guitar into his songs. He maintained the visual-kei look for years but showed more musical variety than his contemporary visual-kei peers.You can find some of his other albums here on NyaaTorrents. I strongly recommend Live in London 2011 and Samurai Sessions Vol. 1. I decided to upload This iz The Japanese Kabuki Rock because it showcases the variety in Miyavi’s talents as both a song-writter, guitarist, and vocalist. And yeah, that is the spelling of the album on the title, heh.As always, enjoy the music!Note: I am going to be offline for a couple of hours soon after uploading this, traveling out of town for business. So my apologies to the initial leechers for any delay that may cause.
03/18 11:41 anime
m-flo - Neven 13 March 2013 I have said before that I started uploading one album a day with the intent of introducing people to both older albums and Japanese artists they may not have ever heard of. So this upload is a rare change of form, the first time I’ve uploaded something which came out this year. I was simply surprised to see it was not available here. I’m about to go into one of my common long-winded rants, so the ‘TL;DR’ version is this: m-flo is awesome and so is this album.Often I like to provide some biography for the artist whose music I’m uploading, but m-flo is one of the most successful Japanese hip-hop groups in history. I’ll assume most of you have some idea of who they are—not that it will prevent me from rambling on about them. But what I’d like to try and do is frame the album Neven from the view of a fan who has followed their career from the start and how it stacks up against their previous albums.The first, immediately noticeable aspect of Neven is how it continues to carry on traces of Planet Shining, m-flo’s debut album from 2000. m-flo was undeniably a different group then. They were a trio: emcee Verbal Young-Ki Yu, DJ Taku Takahashi, and Elisabeth Sakura Narita, better known as Lisa. The music of Planet Shining reflected their mixture of abrasive urban sounds and soulful youth. The bright-red, photo negative album cover featuring the three members sitting among a faceless crowd makes a visually blunt statement: this was three people who were dead-set on doing their own thing in a country where conformity is the norm. But where’s the connection to Neven? You can hear it in the first ten seconds of both: the albums open with prologue of female narration that leads into the second track, and both albums have short tracks of dialogue laced throughout. The sonic nature of Planet Shining sounds a world apart from the house music of Neven but the both share an atmospheric structure built by the weaving narration.m-flo’s second album, Expo Expo, came a year later in 2001 and shared a similar structure. It is notable for showing the earliest signs of m-flo moving in the direction of the house/club music style of Neven, but also because it would be their last album as a trio. Lisa left the group on bad terms and began her solo career. Fortunately though they would reconcile later and begin collaborating again, but m-flo has remained a duo of Verbal and Taku ever since.Lisa’s departure triggered m-flo’s series of collaborations with other Japanese musicians: BoA, Bonnie Pink, Ryuichi Sakamoto, Crystal Kay, Bennie K, Miliyah Katoh, Emi Hinouchi, Akiko Wada, Ryohei Yamamoto, Sowelu, Diggy-mo, Yoshika, Namie Amuro—between 2003 and 2009 m-flo worked with more guest vocalists on their albums than I can name. This proclivity to bring in a plethora of vocalists continues with Neven, albeit with one interesting difference that I will mention later. Neven features:* Miliyah Kato* Minmi* Minami* Matt Cab* Kiko Mizuhara* UnicoThe last two make their debut on Neven actually. The difference I mentioned is that Neven does not explicitly mention the vocalists in the song titles. This is only the second time m-flo has omitted that information from the track titles; the first time was their 2012 album Square One. That album came at the end of a five year hiatus during which Verbal and Taku worked on solo projects. To be completely honest, I felt like Square One was disappointing. Verbal and Taku admitted that they were still somewhat in the mindset of being solo artists when creating the album, and there is a lack of overall cohesion that I find in their previous albums. Neven does not suffer from this problem. It’s release came so soon after Square One because the Verbal and Taku had rediscovered their ‘zone’ as a duo and were able to compose and create music with the pace and focus you see in albums like 2004’s Astromantic and 2005’s Beat Space Nine. In fact, m-flo was writing some songs for Neven just prior to the release of Square One.This all leads to Neven, their seventh album referenced by the name, having the sonic focus of older albums like Beat Space Nine mixed with the atmospheric structure of Planet Shining and the effective collaboration of Astromantic. Personally I think it’s a terrific album, but I admit to being biased as I love m-flo.Sorry for the lengthy rambling and ranting, as well as the later than usual upload. I hope you like Neven. And tomorrow I have two albums ready to upload instead of just one, for a reason I’ll explain then. Until then, as always, enjoy!
03/18 11:20 anime
sleepy.ab - archive 6 February 2008 Despite the way it’s written, the post-rock band ‘sleepy.ab’ pronounces their name simply as ‘sleepy’. The ‘ab’ tacked on to the end is short for ‘abstract’, the implication being that it characterizes their shoegaze style of music. And it’s accurate. Their rock is not the kind that attempts to blow out your speakers and your ear-drums. There’s no slamming drum solos or thrashing guitar distortion. Instead sleepy.ab gradually builds on the melody of each song slowly and methodically, adding layer after layer, weaving them in between Tsuyoshi Nariyama’s soft vocals. Personally, sleepy.ab reminds me of the Feather Side, although sleepy.ab leans more towards a drifting, ethereal, “wait—how long have I been listening to this?” kind of sound.Also like the Feather Side, sleepy.ab makes some long songs. And archive is a great example of that. No song is shorter than five minutes, and including the two bonus live recordings the twelve-track album runs for ninety-two minutes. More than once you may think the album has changed tracks only to look and see that, no, actually you’re listening to a nine-minute song that has a brief pause. However, this expansive length suits sleepy.ab perfectly. Listeners who enjoy their wandering, self-exploratory ambient rock will find that it can distort one’s sense of time. By the time you finish archive there’s equal chances you could think forty minutes have passed or three hours, and be happy in either case.Existing fans of sleepy.ab will notice that archive contains some of their older songs such as ‘Scene’ and ‘inside’. These are ‘new takes’, as the album itself describes them. For those of you who have never heard sleepy.ab before, this is a great album to start with in my opinion.In either case, I hope you enjoy the album! Feedback and requests always welcome, of course.And yes, I realize in retrospect my attempt to describe the album reads like nonsense from an emo-teen’s LiveJournal account from 2002.
03/18 11:16 jusan
FULLARMOR - Cataract 19 March 2008 FULLARMOR is band with an impressive pedigree. First there is vocalist, guitarist, and keyboard player Atsushi Horie. He also performs all three of those roles in the band STRAIGHTENER. And on top of that he even has a solo project: ent. Atsushi Horie, under the guise of ent, created the soundtrack for the 2010 film Solanin, based on the manga of the same name.Next in FULLARMOR is bass player Hinatch. He is another STRAIGHTENER member and spends time touring and recording with Zazen Boys.And finally there is Only, the oddly-named drummer. Like Horie and Hinatch, FULLARMOR is not Onlys sole project. Youll also find him contributing to the funk sounds of the Zoobombs, a Tokyo band formed in 1994 whos spent much more time touring throughout North America than most.Groups like FULLARMOR, made up entirely of musicians from other bands, tend to create music that sounds experimental when placed side-by-side with their normal work. The twenty-six minute mostly instrumental Cataract is full of such experiments and genre juxtapositions. It is brief but compelling proof that FULLARMOR is eccentric, unconventional, and most importantly, just flat-out entertaining. Every member brings so much variety to the table that you may not enjoy every song, but youre almost certain to hear something you like. Such is the wide scope of their trek through various genres.
03/18 11:08 one_piece (讨论)