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网盘下载地址: 链接: http://pan.baidu.com/s/1gdJ2fL5 密码: c5si 目前日本10月份只发售了DVD,DVD最高画质只有480P,BD得等11月才有,届时将有1080P(和720P)。 此版本用于兼容PSV等移动设备,以及低配置电脑、低带宽人群。如要下载更高质量的,请下载我们的内封字幕版本。传送门: http://bt.ktxp.com/html/2014/1002/380657.html 清晰度预览: ============MGRT官方微博============= MGRT官方微博: http://weibo.com/hymgrt ============囧夏字幕组人员招募============= 囧夏字幕组长期招募工作人员 日语翻译 :日语二级以上,有良好的日语听译/文译能力及中文表达水品 日语校对 :日语一级以上,准确的找出相关的翻译错误,最好有日本生活的经历 时间轴 :熟练使用一种或多种时间轴软件(如popsub,aegisub等),能正确识别断句,并能精准定时 特效 :精通ASS或After Effects特等 压制 :熟悉ASS字幕格式,熟悉技巧,稳定在线时间,认真、负责,有足够的网络、机器等硬件支持 分流 :需要有足够的带宽以及稳定的挂机时间,或者有大带宽的服务器来挂机分流,包括:BT发布、BT挂机分流、网盘发布等 片源/图源 : 在日本居住并有相关设备以及高速网络、或者有能力第一时间寻找生肉或者录制节目 美工 :熟悉PS等软件的使用,具有一定的设计美感能力(制作海报、LOGO、漫画修图、嵌字、后期等) 字幕组/汉化组报名加入QQ群: 165509938 (加群请务必说明想要参与的职务) 另招分流有服务器or大水管优先,有意请加分流发布群:292273466(加群务必说明为分流) 详情查看链接: http://bbs.jxzmz.org/thread-42-1-1.html ============囧夏发布组============= 为了保证种子的下载速度和有效时长,请避免直接使用迅雷等软件下载(可以使用迅雷离线等离线软件)。字幕组BT分流服务器分流能力有限,请大家使用标准BT软件下载(如BitComet、utorrent等),并在下载完成后保持上传一段时间,以保证其他人能更好的下载。 另招分流有服务器or大水管优先,有意请加分流发布群: 292273466(加群务必说明为分流) 如果您想要帮助我们,请查看字幕组分流资金赞助: http://bbs.jxzmz.org/thread-43-1-1.html 导演: 静野孔文 编剧: 青山刚昌 / 古内一成 主演: 高山南 / 山口胜平 / 山崎和佳奈 / 小山力也 / 日高法子 / 池田秀一 / 家弓家正 / 梁田清之 / 置鲇龙太郎 / 茶风林 / 井上和彦 / 高木涉 / 汤屋敦子 类型: 动画 / 悬疑 / 犯罪 官方网站: www.conan-movie.jp 制片国家/地区: 日本 语言: 日语 上映日期: 2014-04-19(日本) 片长: 110分钟 又名: 名侦探柯南:剧场版第18部 / 名侦探柯南:2014年剧场版 / Meitantei Conan: Ijigen no sunaipa IMDb链接: tt3455204 在高达635米的铃木塔开放仪式上,一颗子弹破窗射穿一名展望台上男子胸口,现场一片混乱,柯南用追踪放大眼镜发现了远在不可能距离进行狙击的黑影,随后FBI朱蒂等卷入调查,谜团直指"海豹突击队",而这次事件只是开端,此时冲矢昂也悄悄行动了起来.. ============意见反馈============= 字幕组报错区 http://bbs.jxzmz.org/forum-43-1.html ============ 字幕组联系方式 ============= 字幕组新浪微博: http://weibo.com/jxsub 字幕组官方论坛: http://bbs.jxzmz.org 字幕组微信:微信搜索"囧夏字幕组"或直接添加微信号"jxzmzwx" ============囧夏后期教学=============
10/02 14:43 动画更新员
极影怀旧系列《天空战记》正在制作中,感谢每位参与的组员和组长的鼎力支持。之前在发布制作公告的时候,应网上一些人的要求,先发布第一集让大家先睹为快。之后等全部制作完毕会发布合集。因为片子的长度和咒文部分考证的时间,所以不会太快完成。请大家耐心等待。 制作的原因:我觉得这是很多70,80,甚至90的儿时回忆,的确是一部不错的经典动漫。众所周知,这部有太多的遗憾,尤其是翻译,至少误导2代人啊!所以我决定制作这部旧番。举个例子,国语版的人名翻译是不正确的。如"日高秋亚人"翻译成"日高一平";"毗湿奴"翻译成"慧明大师;"湿婆"翻译成"湿华",而却国语版还有很多的翻译错误,尤其是变身咒文全都用 "伊穆拉撒"替代是极不负责的翻译也没有根据的。 关于片源,用的最新重置欧版的DVD,虽然是这是所有版本DVD中最清楚的,但是因为片子本身太老了,又是蛋疼的PAL的格式,后期压制的时候,偶做了很多处理。。尽力修复画质。偶水平有限,要是达不到某些观众老爷的expectation,请给与理解和谅解。 如果大家对第一集的翻译或是咒文有什么提议的,我们欢迎大家来提议,但是最后是否采取取决于我和校队a酱。 有任何关于第一集的留言请到: 《天空战记》字幕讨论帖 有任何关于制作《天空战记》的留言请到; 怀旧系列公告贴《天空战记》 极影怀旧系列负责人:Rossina (R酱) 《天空战记》(日语:天空戦記シュラト)是日本"龙之子制作公司"(タツノコプロ)公司制作的一套电视动画,于1989年4月6日至1990年1月25日期间毎周四在东京电视台播放,全38话。另有OVA作品《创世前的暗斗》(日语:創世への暗闘)六集。 香港亚洲电视亦曾经播放过本作品的TV版共36集,而该作品也是黄玉娟之首部东京台配音动画。华语地区的其他电视台如中国大陆、台湾地区也分别播放过完整的天空战记。但大陆和台湾虽同为国语地区,但播放的国语配音版本不同。大陆地区播放的国语配音版本来自香港,其人物名称和固有名词基本因袭了香港亚视粤语配音版的译法,在大陆国语配音版中献声的配音演员多数为在香港本土的资深国语配音员。随后大陆上海音像出版社发行的正版VCD亦破天荒地同时携带了国语和粤语两版配音。台湾版在翻译上与香港、大陆两版存在较大差异,如"湿婆",台湾版直接译作"席瓦",而香港、大陆两版本均译作"湿华"。 内容简介 故事的主线围绕"创造神梵天"和"破坏神湿华"之间的战斗展开。人间界的少年日高一平和好友黑木凯被"调和神"慧明大师招入天界,转生为"修罗王"和"夜叉王",和其余6位神将组成"八部众神将"以保卫天空界不被破坏神的破坏。然而黑木凯在转生时被"湿华"捕获心灵,成为与"八部众"为敌的头号反面人物,给一平带来了无尽杀机与烦恼。在保卫天空界的战斗中,一平与八部众的伙伴们不断遭遇危险,也一次次地杀出绝路--但同时也对世界的未来充满了迷惑。整个故事跌宕起伏,扣人心弦。片中正义与邪恶的较量,一平和黑木凯的友情,莲伽的感情,以及人类心灵的思考交织在整个故事中,为主题升华增色不少。 动画介绍 《天空战记》是一部取材于古印度神话的日本动画名作,描述了"创造神梵天"和"破坏神湿婆"之间惊心动魄的斗争。《天空战记》中的人物刻画的很丰满,"八部众"(修罗王一平、迦楼罗王利伽、天王乔加、龙王良马、夜叉王黑木凯、那罗王莲伽、闼婆王高野、比姿王阿达)人人性格鲜明,或热情或冷漠、或天真或沉稳、或缜密或莽撞、或诙谐或憨厚,给观众以极大的感染力。另外活泼可爱的吉祥天、端庄高贵的惠明大师也给人留下了深刻的印象。本片动画场景中的音乐别具气势。尤其是主题歌极为经典--清水咲斗子演唱的OPEN《Shinning Soul》和END《砂尘の迷图》在怀旧动画片中堪称极品。多年之后,日本二区终于发行了本片的DVD版本,分为BOX PART1和BOX PART2,BOX PART1收录前25话,目前市面可见版本有金驼的有损压缩5D5版以及飞马的8D5DECSS版,金驼的带有国语配音可惜是取自RM的而且画面也了有损压缩,飞马的忠实于原版是DECSS的,综合评价显然是飞马的胜出。飞马版继续推出BOX PART2部分的第26~第38话以及TV版总集篇和回忆篇,一共8D5。 CV 修罗王一平--关俊彦 夜叉王黑木凯--子安武人 天王乔加--堀内贤雄 迦楼罗王利加--井上和彦 龙王良马--山寺宏一 那罗王莲加--林原惠 比姿王阿达--飞田展男 达婆王高野--中多和宏 吉祥天--水谷优子 调和神慧明大师--岛本须美 马里迁/不动明王--松本保典 雷帝因陀罗--铃置洋孝 破坏神湿华--若本规夫 丝克尔迷路(OVA)--速水奖 降三世明王--土井美加 军荼利明王--大泷进矢 撒拉丝--佐佐木优子
10/01 10:04 动画更新员
极影怀旧系列《天空战记》正在制作中,感谢每位参与的组员和组长的鼎力支持。之前在发布制作公告的时候,应网上一些人的要求,先发布第一集让大家先睹为快。之后等全部制作完毕会发布合集。因为片子的长度和咒文部分考证的时间,所以不会太快完成。请大家耐心等待。 制作的原因:我觉得这是很多70,80,甚至90的儿时回忆,的确是一部不错的经典动漫。众所周知,这部有太多的遗憾,尤其是翻译,至少误导2代人啊!所以我决定制作这部旧番。举个例子,国语版的人名翻译是不正确的。如"日高秋亚人"翻译成"日高一平";"毗湿奴"翻译成"慧明大师;"湿婆"翻译成"湿华",而却国语版还有很多的翻译错误,尤其是变身咒文全都用 "伊穆拉撒"替代是极不负责的翻译也没有根据的。 关于片源,用的最新重置欧版的DVD,虽然是这是所有版本DVD中最清楚的,但是因为片子本身太老了,又是蛋疼的PAL的格式,后期压制的时候,偶做了很多处理。。尽力修复画质。偶水平有限,要是达不到某些观众老爷的expectation,请给与理解和谅解。 如果大家对第一集的翻译或是咒文有什么提议的,我们欢迎大家来提议,但是最后是否采取取决于我和校队a酱。 有任何关于第一集的留言请到: 《天空战记》字幕讨论帖 有任何关于制作《天空战记》的留言请到; 怀旧系列公告贴《天空战记》 极影怀旧系列负责人:Rossina (R酱) 《天空战记》(日语:天空戦記シュラト)是日本"龙之子制作公司"(タツノコプロ)公司制作的一套电视动画,于1989年4月6日至1990年1月25日期间毎周四在东京电视台播放,全38话。另有OVA作品《创世前的暗斗》(日语:創世への暗闘)六集。 香港亚洲电视亦曾经播放过本作品的TV版共36集,而该作品也是黄玉娟之首部东京台配音动画。华语地区的其他电视台如中国大陆、台湾地区也分别播放过完整的天空战记。但大陆和台湾虽同为国语地区,但播放的国语配音版本不同。大陆地区播放的国语配音版本来自香港,其人物名称和固有名词基本因袭了香港亚视粤语配音版的译法,在大陆国语配音版中献声的配音演员多数为在香港本土的资深国语配音员。随后大陆上海音像出版社发行的正版VCD亦破天荒地同时携带了国语和粤语两版配音。台湾版在翻译上与香港、大陆两版存在较大差异,如"湿婆",台湾版直接译作"席瓦",而香港、大陆两版本均译作"湿华"。 内容简介 故事的主线围绕"创造神梵天"和"破坏神湿华"之间的战斗展开。人间界的少年日高一平和好友黑木凯被"调和神"慧明大师招入天界,转生为"修罗王"和"夜叉王",和其余6位神将组成"八部众神将"以保卫天空界不被破坏神的破坏。然而黑木凯在转生时被"湿华"捕获心灵,成为与"八部众"为敌的头号反面人物,给一平带来了无尽杀机与烦恼。在保卫天空界的战斗中,一平与八部众的伙伴们不断遭遇危险,也一次次地杀出绝路--但同时也对世界的未来充满了迷惑。整个故事跌宕起伏,扣人心弦。片中正义与邪恶的较量,一平和黑木凯的友情,莲伽的感情,以及人类心灵的思考交织在整个故事中,为主题升华增色不少。 动画介绍 《天空战记》是一部取材于古印度神话的日本动画名作,描述了"创造神梵天"和"破坏神湿婆"之间惊心动魄的斗争。《天空战记》中的人物刻画的很丰满,"八部众"(修罗王一平、迦楼罗王利伽、天王乔加、龙王良马、夜叉王黑木凯、那罗王莲伽、闼婆王高野、比姿王阿达)人人性格鲜明,或热情或冷漠、或天真或沉稳、或缜密或莽撞、或诙谐或憨厚,给观众以极大的感染力。另外活泼可爱的吉祥天、端庄高贵的惠明大师也给人留下了深刻的印象。本片动画场景中的音乐别具气势。尤其是主题歌极为经典--清水咲斗子演唱的OPEN《Shinning Soul》和END《砂尘の迷图》在怀旧动画片中堪称极品。多年之后,日本二区终于发行了本片的DVD版本,分为BOX PART1和BOX PART2,BOX PART1收录前25话,目前市面可见版本有金驼的有损压缩5D5版以及飞马的8D5DECSS版,金驼的带有国语配音可惜是取自RM的而且画面也了有损压缩,飞马的忠实于原版是DECSS的,综合评价显然是飞马的胜出。飞马版继续推出BOX PART2部分的第26~第38话以及TV版总集篇和回忆篇,一共8D5。 CV 修罗王一平--关俊彦 夜叉王黑木凯--子安武人 天王乔加--堀内贤雄 迦楼罗王利加--井上和彦 龙王良马--山寺宏一 那罗王莲加--林原惠 比姿王阿达--飞田展男 达婆王高野--中多和宏 吉祥天--水谷优子 调和神慧明大师--岛本须美 马里迁/不动明王--松本保典 雷帝因陀罗--铃置洋孝 破坏神湿华--若本规夫 丝克尔迷路(OVA)--速水奖 降三世明王--土井美加 军荼利明王--大泷进矢 撒拉丝--佐佐木优子
10/01 10:04 动画更新员
Tadanari Okamoto Film Works Vol. 3 1961 - 1995 DVDR Beginnings: 1932-1963 To tell Okamoto's story from the beginning, we have to make a short detour to talk about Tadahito Mochinaga, the legendary father of Japanese stop-motion animated filmmaking. Mochinaga had started out working under Mitsuyo Seo, and had left Japan for Manchuria just before the end of the war, where he found himself in demand for his animation knowhow. (To learn more about his fruitful China period, I refer you to an outstanding article on Mochinaga by Kosei Ono on AWN.) Upon returning to Japan around 1953 after nearly a decade in China, Mochinaga made several TV advertisements using the stop-motion technology he had developed in China, thus becoming the founder of Japanese stop-motion puppet animation. In January of 1956 he completed his first Japanese-produced stop-motion puppet film, Uriko Hime to Amanojaku (18 minutes). The film proved popular enough that he was able to produce another, 5 Monkeys (17 minutes), completed in June 1956, which reportedly showed definite technical improvements over his first. Not long after his return from China Mochinaga had taken on a protege, a young person named Kihachiro Kawamoto, whose first job as the puppet maker for Mochinaga was a television advertisement made in 1953. Kawamoto seems to have created the puppets for many of Mochinaga's films made between this year and the founding of Mochinaga's studio MOM Productions in 1960, including a promotional film about the history of beer commissioned by the Asahi Beer Company, completed in July 1956, and Little Black Sambo, completed in November 1956, which is the film that brough Mochinaga to the attention of Videocraft International in 1959 at the Vancouver International Film Festival. The technical strides made since the previous year must have been quite something, because Videocraft was so impressed by the polish of the film, probably in no small part thanks to Kawamoto's puppets, that it convinced them to commission a handful of stop-motion TV series from the studio, including The New Adventures of Pinocchio and Willy McBean & His Magic Machine. Which brings us back to Tadanari Okamoto. Born in Osaka in 1932, Okamoto graduated from the law school of Osaka University in 1955, and worked in the legal profession for two years before quitting and entering the film school of Nihon University in 1958. After graduating in 1961, Okamoto entered the MOM production, where he worked on several of the TV series commissioned from the studio before finally quitting and forming his own company, Echo Incorporated, in 1964. Along with Kawamoto, then, Okamoto is one of the more famous of the figures who followed in the footsteps of Tadahito Mochinaga and continued to develop the possibilities of stop-motion animation. Full article on ANIPAGES. Enjoy this rare gem.
09/24 09:28 naruto
Tadanari Okamoto Film Works Vol. 2 1961-1995 1961 - 1995 DVDR Beginnings: 1932-1963 To tell Okamoto's story from the beginning, we have to make a short detour to talk about Tadahito Mochinaga, the legendary father of Japanese stop-motion animated filmmaking. Mochinaga had started out working under Mitsuyo Seo, and had left Japan for Manchuria just before the end of the war, where he found himself in demand for his animation knowhow. (To learn more about his fruitful China period, I refer you to an outstanding article on Mochinaga by Kosei Ono on AWN.) Upon returning to Japan around 1953 after nearly a decade in China, Mochinaga made several TV advertisements using the stop-motion technology he had developed in China, thus becoming the founder of Japanese stop-motion puppet animation. In January of 1956 he completed his first Japanese-produced stop-motion puppet film, Uriko Hime to Amanojaku (18 minutes). The film proved popular enough that he was able to produce another, 5 Monkeys (17 minutes), completed in June 1956, which reportedly showed definite technical improvements over his first. Not long after his return from China Mochinaga had taken on a protege, a young person named Kihachiro Kawamoto, whose first job as the puppet maker for Mochinaga was a television advertisement made in 1953. Kawamoto seems to have created the puppets for many of Mochinaga's films made between this year and the founding of Mochinaga's studio MOM Productions in 1960, including a promotional film about the history of beer commissioned by the Asahi Beer Company, completed in July 1956, and Little Black Sambo, completed in November 1956, which is the film that brough Mochinaga to the attention of Videocraft International in 1959 at the Vancouver International Film Festival. The technical strides made since the previous year must have been quite something, because Videocraft was so impressed by the polish of the film, probably in no small part thanks to Kawamoto's puppets, that it convinced them to commission a handful of stop-motion TV series from the studio, including The New Adventures of Pinocchio and Willy McBean & His Magic Machine. Which brings us back to Tadanari Okamoto. Born in Osaka in 1932, Okamoto graduated from the law school of Osaka University in 1955, and worked in the legal profession for two years before quitting and entering the film school of Nihon University in 1958. After graduating in 1961, Okamoto entered the MOM production, where he worked on several of the TV series commissioned from the studio before finally quitting and forming his own company, Echo Incorporated, in 1964. Along with Kawamoto, then, Okamoto is one of the more famous of the figures who followed in the footsteps of Tadahito Mochinaga and continued to develop the possibilities of stop-motion animation. Full article on ANIPAGES.
09/24 09:28 one_piece
Tadanari Okamoto Film Works Vol. 1 1961-1995 DVDR Beginnings: 1932-1963 To tell Okamoto's story from the beginning, we have to make a short detour to talk about Tadahito Mochinaga, the legendary father of Japanese stop-motion animated filmmaking. Mochinaga had started out working under Mitsuyo Seo, and had left Japan for Manchuria just before the end of the war, where he found himself in demand for his animation knowhow. (To learn more about his fruitful China period, I refer you to an outstanding article on Mochinaga by Kosei Ono on AWN.) Upon returning to Japan around 1953 after nearly a decade in China, Mochinaga made several TV advertisements using the stop-motion technology he had developed in China, thus becoming the founder of Japanese stop-motion puppet animation. In January of 1956 he completed his first Japanese-produced stop-motion puppet film, Uriko Hime to Amanojaku (18 minutes). The film proved popular enough that he was able to produce another, 5 Monkeys (17 minutes), completed in June 1956, which reportedly showed definite technical improvements over his first. Not long after his return from China Mochinaga had taken on a protege, a young person named Kihachiro Kawamoto, whose first job as the puppet maker for Mochinaga was a television advertisement made in 1953. Kawamoto seems to have created the puppets for many of Mochinaga's films made between this year and the founding of Mochinaga's studio MOM Productions in 1960, including a promotional film about the history of beer commissioned by the Asahi Beer Company, completed in July 1956, and Little Black Sambo, completed in November 1956, which is the film that brough Mochinaga to the attention of Videocraft International in 1959 at the Vancouver International Film Festival. The technical strides made since the previous year must have been quite something, because Videocraft was so impressed by the polish of the film, probably in no small part thanks to Kawamoto's puppets, that it convinced them to commission a handful of stop-motion TV series from the studio, including The New Adventures of Pinocchio and Willy McBean & His Magic Machine. Which brings us back to Tadanari Okamoto. Born in Osaka in 1932, Okamoto graduated from the law school of Osaka University in 1955, and worked in the legal profession for two years before quitting and entering the film school of Nihon University in 1958. After graduating in 1961, Okamoto entered the MOM production, where he worked on several of the TV series commissioned from the studio before finally quitting and forming his own company, Echo Incorporated, in 1964. Along with Kawamoto, then, Okamoto is one of the more famous of the figures who followed in the footsteps of Tadahito Mochinaga and continued to develop the possibilities of stop-motion animation. Full article on ANIPAGES.
09/24 09:28 bleach
Tadanari Okamoto Film Works Vol 4 1961 - 1995 DVDR Beginnings: 1932-1963 To tell Okamoto's story from the beginning, we have to make a short detour to talk about Tadahito Mochinaga, the legendary father of Japanese stop-motion animated filmmaking. Mochinaga had started out working under Mitsuyo Seo, and had left Japan for Manchuria just before the end of the war, where he found himself in demand for his animation knowhow. (To learn more about his fruitful China period, I refer you to an outstanding article on Mochinaga by Kosei Ono on AWN.) Upon returning to Japan around 1953 after nearly a decade in China, Mochinaga made several TV advertisements using the stop-motion technology he had developed in China, thus becoming the founder of Japanese stop-motion puppet animation. In January of 1956 he completed his first Japanese-produced stop-motion puppet film, Uriko Hime to Amanojaku (18 minutes). The film proved popular enough that he was able to produce another, 5 Monkeys (17 minutes), completed in June 1956, which reportedly showed definite technical improvements over his first. Not long after his return from China Mochinaga had taken on a protege, a young person named Kihachiro Kawamoto, whose first job as the puppet maker for Mochinaga was a television advertisement made in 1953. Kawamoto seems to have created the puppets for many of Mochinaga's films made between this year and the founding of Mochinaga's studio MOM Productions in 1960, including a promotional film about the history of beer commissioned by the Asahi Beer Company, completed in July 1956, and Little Black Sambo, completed in November 1956, which is the film that brough Mochinaga to the attention of Videocraft International in 1959 at the Vancouver International Film Festival. The technical strides made since the previous year must have been quite something, because Videocraft was so impressed by the polish of the film, probably in no small part thanks to Kawamoto's puppets, that it convinced them to commission a handful of stop-motion TV series from the studio, including The New Adventures of Pinocchio and Willy McBean & His Magic Machine. Which brings us back to Tadanari Okamoto. Born in Osaka in 1932, Okamoto graduated from the law school of Osaka University in 1955, and worked in the legalprofession for two years before quitting and entering the film school of Nihon University in 1958. After graduating in 1961, Okamoto entered the MOM production, where he worked on several of the TV series commissioned from the studio before finally quitting and forming his own company, Echo Incorporated, in 1964. Along with Kawamoto, then, Okamoto is one of the more famous of the figures who followed in the footsteps of Tadahito Mochinaga and continued to develop the possibilities of stop-motion animation. Full article on ANIPAGES.
09/24 09:28 naruto