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exist†trace - Twin Gate 3 November 2010 Exist Trace, whose name appears as ‘exist†trace’ on everything official, is an oddity among an odd genre. When I think of ‘visual kei’ my mind turns to rock, but that is a broad spectrum itself, and even then there are exceptions. I also immediately think of guys dressed up in flamboyant costumes and mind-baffling doses of androgyny that force you to do a double-take when you realize that ‘hot chick’ playing the drums was actually a guy—great memories of the 90’s….Exist Trace is strange for being an all-female visual-kei band in a genre that male groups have dominated since its inception. In an odd way this originally made Exist Trace visually reminiscent of early 90’s visual-kei bands like Pierrot and Kuroyume. Since Exist Trace’s formation in 2003 they have followed the typical mold of successful visual-kei groups that I’ve been watching for a couple of decades now:1. First they garner attention with their looks while their music is still rough, abrasive, and unrefined. It’s not like the word ‘visual’ is in the term ‘visual-kei’ for no reason. For Exist Trace see Annuciation—The Heretic Elegy 12 December 2006.2. Then rarely the band hits their stride in musical form and demonstrates they have a talent that supersedes their initial visual gimmick. C.f. Ambivalent Symphony 21 October 2009.3. The group achieves mainstream success and begins experimenting with the inclusion of different genres while sometimes downplaying their on-stage, visual appearance. C.f. every Exist Trace album since 2010.I enjoyed following Exist Trace’s gradual improvement but I’ll be honest and admit that I did not expect their level of success. I chose to upload Twin Gate because that album addressed what I felt were the two remaining weaknesses in the band: Jyou’s quality as a vocalist and the band’s comfort to step outside of their usual dark, brooding metal routine. Jyou’s vocal range on their earlier work is limited and after six active years their music was starting to sound stagnant. But then out came Twin Gate and erased those critiques of mine.Twin Gate is a great introductory album to Exist Trace and just a great rock album overall. Going backward from here through their discography is interesting to see the band’s evolution, but if you do that then you ought to lower your expectations somewhat, to be fair. Because they’ve certainly become a lot better over time and their success is well-deserved.
03/18 11:24 one_piece
[얼티메이트] M3-32同人音楽[ZERO SOUNDS] G-TributeNEXT 320K ZERO SOUNDS - G-TributeNEXT■作品概要ジャンル : ガンダムメディア : CD-ROMCDケース再生環境 : 音楽CDを再生できるプレイヤー又はPC発売日 : 2013/10/27 M3-32■コメント「JUST COMMUNICATION」「サイレント・ヴォイス」「ignited-イグナイテッド」「Ash Like Snow」等のGソングを六弦アリス、豚乙女、5150、GET IN THE RING等東方アレンジ等で活躍する実力派サークル達がカバー!最強Gソングカバーアルバム第二弾!■スタッフ六弦アリス、豚乙女、5150、Crest、A-ONE、GET IN THE RING、Liz Triangle、Matrica、takrockers!!、the forget-me-not収録曲01. FIGHTMusic : 川井憲次Arrangement : 六弦A助Chorus : 櫻井アンナ六弦アリス みぃGET IN THE RING SouwerSouwer cherryCircle : 六弦アリス02. JUST COMMUNICATIONLyrics : 永野椎菜Music : 馬飼野康二Arrangement : 六弦A助Vocal : 櫻井アンナCircle : 六弦アリス03. MEN OF DESTINYLyrics : 安藤芳彦Music : 松原みきArrangement : JeetSinghVocal : Lyn-ACircle : Crest04. サイレント・ヴォイスLyrics : 売野雅勇Music : 芹澤廣明Arrangement : 大久保潤Vocal : 緑坂亜綾Circle : Matrica05. 勝利者達の挽歌Lyrics : 安藤芳彦Music : 田中公平Arrangement : 龍5150Vocal : 龍5150Circle : 515006. Ash Like SnowLyrics : 川瀬智子Music : 奥田俊作Arrangement : 飛鳥硝子うたたねりんごVocal : SouwerSouwer cherryCircle : ZERO SOUNDS07. もう一度TENDERNESSLyrics : 浜口司Music : 安宅美春Arrangement : GCHMVocal : みぃCircle : GET IN THE RING08. IGNITED-イグナイテッド-Lyrics : 井上秋緒Music : 浅倉大介Arrangement : コンプVocal : ランコCircle : 豚乙女09. 永遠の扉Lyrics : 渡辺なつみMusic : 鵜島仁文Arrangement : サクラダリト&Hajime NezuVocal : ユリカCircle : the forget-me-not feat.ユリカ10. ターンAターンLyrics : 井荻麟Music : 小林亜星Arrangement/takrockers!!Vocal : 父Chorus : SouwerSouwer cherryCircle : takrockers!!DDL : http://pan.baidu.com/s/1j8vtv Password : 2kowMagnet
03/18 11:24 naruto (讨论)