旋风动漫BT资源发布索引 | 汇聚动漫BT/ED资源
[131023]TVアニメ「アウトブレイク・カンパニー」OPテーマ「ユニバーページ」/三森すずこ[320K+BK] 登録情報 CD 2013/10/23 ディスク枚数: 1 フォーマット: Single, Maxi レーベル: ポニーキャニオン 収録時間: 15 分 ASIN: B00EC032YK EAN:4988013499560 内容紹介 三森すずこソロプロジェクト第3弾! 2013年10月からTBS·BS-TBSにて放送のTVアニメ「アウトブレイク·カンパニー」三森すずこ主演のオープニング主題歌! 三森すずこオフィシャルサイト http://mimorin.com/ mimorin.comスタッフTwitter https://twitter.com/mimorincom オフィシャルブログ http://ameblo.jp/mimorisuzuko/ 三森すずこTwitter https://twitter.com/mimori_suzuko 特殊内容/特典 DVD「ユニバーページ」MV、ダンスショットver.、オフショット、メイキングを収録予定 フルカラーブックレット ライトノベル「Jingle Love Story第3楽章」著:平松正樹 イラスト:エイチ ジャケットカード 楽曲 01. ユニバーページ 作詞·作曲:渡辺翔 / 編曲:増田武史 02. 私...見守ってるよ! 作詞:畑亜貴 / 作曲:しほり / 編曲:森慎太郎 03. ユニバーページInstrumental 04. 私…見守ってるよ! Instrumental メディア掲載レビューほか 三森すずこソロプロジェクト第3弾!2013年10月からTBS·BS-TBSにて放送のTVアニメ『アウトブレイク・カンパニー』三森すずこ主演のオープニング主題歌! 収録曲 1. ユニバーページ 2. 私...見守ってるよ! 3. ユニバーページ [Instrumental] 4. 私...見守ってるよ! [Instrumental]
03/18 11:20 bleach
m.o.v.e. - Deep Calm 28 January 2004 On the 16th of March 2013 the group m.o.v.e. held their final concert, having announced their decision to break up and end their fifteen year career together.Move stylized their name in different ways throughout the years. I will use ‘Move’ for the rest of this post for simplicity and laziness.Move came together in 1997, the trio of vocalist ‘yuri’ Yuri Masuda, rapper ‘motsu’ Mototaka Segawa, and composer and producer ‘t-kimura’ Takashi Kimura. T-kimura brought the group together, a decision fueled by his stagnation with Favorite Blue, his duo with Maya Matsuzaki; Favorite Blue would continue to work until 2002, but Move became t-kimura’s focus. Move achieved decent success in less than a year when their second single, Around the World, appeared in the anime Initial D. Some of their later singles would appear in other anime and video games, helping to grow their popularity.Move was difficult to pin down into a single genre. Their albums featured a blend of hard rock, rap, hip-hop, electronica, trance, house, Eurobeat—Move never met a genre they didn’t like. Their energetic stage presence carried over wonderfully onto their studio albums. The beautiful, melodic pitch of yuri’s singing paired with the intensity of motsu’s rapid delivery encapsulated the passion they unleashed on live audiences. However, while t-kimura was the heart of Move’s musical composition he gradually faded into the background, much like Dai Nagano from Do As Infinity. In 2008 t-kimura completely withdrew from all of Move’s live performances.Deep Calm was Move’s sixth studio album. It is my personal favorite and that’s why I uploaded it, although I do not own their entire discography. The album demonstrates the band’s genre-roaming talent and ability to combine different influences into an explosive stereo sound. If you like Deep Calm then you’re going to enjoy anything from Move.And with that said, as always, I hope you enjoy the music!
03/18 11:20 naruto
Zyuden Sentai Kyoryuger Kiite Odoroke! Brave Sounds 3 Kyoryu Beat 獣電戦隊キョウリュウジャー オリジナルサウンドトラック 聴いておどろけ!ブレイブサウンズ3 キョウリュウ・ビート 獣電戦隊キョウリュウジャー 聴いておどろけ! ブレイブサウンズ3 キョウリュウ・ビート/ 特撮2013年8月3日土より、全国約300館規模で一斉公開となる『劇場版 獣電戦隊キョウリュウジャー GABURINCHO OF MUSIC』。夏の映画は、一味違うミュージカル仕立て! スクリーンを彩る熱い歌と格好良いBGMを収録。音楽は佐橋俊彦が担当。1. VAMOLA!キョウリュウジャー TVサイズ、ナレーション入り22. ノッさんギャグはノーサンキュー3. スマイル&ラッキー4. 激烈!デーボス旋風5. ブレイブ爆発!6. 超進化!キョウリュウ・ビート7. デーボス軍大逆襲8. 時を超えた絆9. The Braves ?竜の道を継ぐ者/ 高橋秀幸10. 希望を胸に11. みんな集まれ!キョウリュウジャー TVサイズ 3番12. Dino Soul ムービーサイズ13. 劇場バーンとブレイブイン!14. カミツキ・ブレイブ ムービーバージョン15. 明日のメロディ16. 獰猛の戦騎 デスリュウジャー17. 戦慄と旋律?Dのテーマ? ムービーバージョン18. 氷結城の来訪者19. ココロの隙間ワールド ムービーバージョン20. 復活!最強獣電竜21. 荒れまくれ!獣電戦隊22. VAMOLA!キョウリュウジャー Samba Mix ムービーバージョン23. 破滅をかけた大激突24. Dino Soul 古代ver.25. 覚醒!スピノダイオー26. GABURINCHO OF MUSIC! ムービーバージョン
03/18 11:20 bleach (讨论)
Leah Dizon - Destiny Line 12 September 2007 Leah Dizon is irrefutable proof that having a pretty face is ninety percent of what you need to succeed in the Japanese pop industry. The other ten percent consists of singing, dancing, and least of all, song-writing.Born and raised in Las Vegas, Dizon wanted to be a singer from a young age. To that end she attended schools for the performing arts. At the age of eighteen she moved to Los Angeles for college, majoring in film. However, she would drop out of school within a year. While in Los Angeles Dizon worked as a grid girl to support herself. Her sexy photo-shoots quickly began to appear on the Internet and suddenly Dizon found herself with an unexpected fan-base in Japan. A lot of people found an exotic beauty in her French-Filipino-Chinese ethnic heritage. When these new-found fans learned that Dizon wanted to be a singer they began pressuring her to send out demos. And so she did, sending a demo to multiple Japanese labels. Victor Entertainment signed her in 2006 and relocated her to Tokyo.Leah Dizon released a photo-book six months after moving to Japan, nearly five months before she would release any music. Dizon had all the characteristics of stereotypical gravure idol trying to be a pop star. Arguably she was already a star before ever recording a single song. Eleven months later Dizon had recorded and released her debut album, Destiny Line.Something strange happened though. The album was actually good.While it was hardly an earth-shattering album, Destiny Line was surprising for demonstrating Dizon’s talents as a song-writer. She created or collaborated on all but three tracks of her thirteen-track debut. Calendar pin-up babes turning into Japanese pop stars is a common phenomenon. However, it is rare to see one who works closely on writing her own music. This fact alone made the album more interesting than one by—I don’t know—someone like Nao Nagasawa. Her vocals and lyrical skills had room for improvement but that did not prevent Destiny Line from being a refreshingly interesting album considering the extremely stereotypical, superficial events that led to its creation.Leah Dizon has been an hiatus since releasing her second album in 2008, Communication!!! The three major reasons were her marriage, subsequent pregnancy, and subsequent divorce. Once one becomes a pop star it can be impossible to have a private life; the media thoroughly covered Leah Dizon’s marriage troubles and legal battle for custody of her daughter which she won. At this time of writing she is back in the United States but has expressed interest in returning to Japanese music. Now it’s just a waiting game to see if any record label want to sign Leah Dizon and begin what would be the second stage of her music career.Personally I don’t see it happening, but who knows. In any case, I hope as always that you enjoy the album!
03/18 11:20 jusan
[얼티메이트] [131016] TVアニメ「這いよれ! ニャル子さんWHaiyore! Nyaruko-san W」コンプリートベスト「邪礼曲たち」/後ろから這いより隊 320K TVアニメ「這いよれ! ニャル子さんW」コンプリートベスト「邪礼曲たち」/後ろから這いより隊発売日 : 2013/10/16商品番号 : AVCA-62969JAN : 4988064629695メディア CD組枚数 2[内容紹介]『這いよれ! ニャル子さんW』作中で使用された歌を全曲収録! ニャル子ファン必携のベストアルバム!! これまでパッケージ未収録だった劇中曲「嫌いなワケLychee -ツル子ver.-」、最終話エンディング「キミのとなりで」をCD初収録。 DVDには、「Wonderナンダ? 片思い」「Sister,Friend,Lover」「キミのとなりで」のノンテロップ映像を初収録。「Sister,Friend,Lover」映像はエヴァンゲリオンTVシリーズの副監督であり、新劇場版エヴァンゲリオン制作会社カラー取締役でもある"鶴巻和哉"が制作!収録曲01. 恋は渾沌の隷也歌 : 後ろから這いより隊G / 作詞 : 畑亜貴 / 作曲·編曲 : 田中秀和02. よってS.O.S歌 : RAMMに這いよるニャル子さん / 作詞 : 藤林聖子 / 作曲·編曲 : RAMM03. Wonderナンダ?片思い歌 : RAMMに這いよる邪神さん / 作詞 : 藤林聖子 / 作曲·編曲 : RAMM04. 嫌いなワケLychee歌 : RAMMに這いよる珠緒さん / 作詞 : 藤林聖子 / 作曲·編曲 : RAMM05. Sister,Friend,Lover歌 : RAMMに這いよるクー子さんとクー音さん / 作詞 : 藤林聖子 / 作曲·編曲 : RAMM06. 愛クルセイダース†ストライバー歌 : RAMMに這いよる真尋さんと余市さん / 作詞 : 藤林聖子 / 作曲·編曲 : RAMM07. Blast of Fate ~疾風の行方~歌 : 後ろから這いより隊B / 作詞 : ヤスカワショウゴ / 作曲 : 楊慶豪 / 編曲 : 原田ナオ08. 嫌いなワケLychee -ツル子Ver.- 第4話劇中歌歌 : ツル子CV.山北早紀 / 作詞 : 藤林聖子 / 作曲·編曲 : RAMM09. ユゴスよりの使者歌 : The Mi-go hunters / 作詞 : 生田真心 / 作曲·編曲 : RAMM10. キミのとなりで 最終話エンディング曲歌 : RAMMに這いよるニャル子さん / 作詞 : 藤林聖子 / 作曲·編曲 : RAMM11. 恋は渾沌の隷也 -RAMMアレンジVer.-歌 : 後ろから這いより隊G / 作詞 : 畑亜貴 / 作曲 : 田中秀和12. ニャルニャルサービスメドレー歌 : 後ろから這いより隊DDL : http://pan.baidu.com/s/1xJRCo Password : jyswMagnet
03/18 11:20 anime (讨论)
immi - Switch 6 August 2008 Mayu Nakazawa is better known by her stage name: ‘immi’. It is not uncommon for musicians to adopt a different moniker for performances. But Nakazawa first attempted a music career under her own named and failed.A pianist since childhood, Nakazawa began writing her own music and performing when she was in high school. During this time she came to the attention of a producer at Universal Music Japan who encouraged her to move to Tokyo. Nakazawa took the advice and made the move in 2001, signing with the company and began recording in studios. Within one year Nakazawa created and released three singles and one album, Step Into my Heart 27 November 2002. They were all commercial failures and Universal Music Japan subsequently terminated her contract.It seemed like Mayu Nakazawa had blown her one chance at a music career. She receded from the Tokyo scene and slowly began to rework her style. During this time she adopted the name immi and began composing electronic music that drew influences from contemporary club music and 1980’s Western synth-pop/rock. She re-emerged with the label Grand Trax and released her first single as immi, Cosmic Pink, on the 28th of Novmber 2007, almost five years to the date that she released her last album. Unlike her earlier endeavors Cosmic Pink was quickly successful and was swiftly followed by another single, Klaxon.immi released her first album under this name a little less than a year later. This time her album was both commercially and critically successful, making it onto to Oricon charts, something that did not happen with any of her music released under her real name. Critics praised her combination of sultry vocals and measured synth-pop that washed over listeners like a wave instead of trying to blow out the speakers e.g. ‘Power Station’. A year later immi signed with DefStar Records and released her second album, Spiral, in 2010 to even greater success.It seems like most people do not get second chances in the music industry. Mayu Nakazawa blew her first chance, but instead of calling it quits she began a musical self-reconstruction that lasted five years and resulted in her return as immi. The two albums I’ve mentioned are her only ones as immi; I would have uploaded them both but I can’t find my copy of Spiral damnit…. Anyways—nowadays a lot of her focus has gone into Tacomimi, a duo of her and DJ Jetbikini, a long-time friend who actually made some contributions to immi’s two studio albums.I’ll upload Spiral whenever I actually find it, along with the remix album for Switch. Until then, as always, I hope you enjoy the music!
03/18 11:20 naruto
lecca - City Caravan 30 July 2008 I am uploading this album for reasons I describe in the description for Gollbetty’s Betty’s Buggy, which you can find on my user page. In the past I uploaded lecca’s eponymous debut album and talked about her there, so I’ll try not to repeat myself; but those of you who do me favor of actually reading this stuff I write thanks! know that I usually chatter on and on anyways.In my opinion City Caravan has the most interesting structure of all of lecca’s albums. You will notice from the track list that it not only has a prologue and epilogue, but also four tracks directly related to the title itself. At first glance they appear to come in the wrong order: what should be the first song is the final track, ‘City Caravan II’ comes first, and ‘City Caravan III’ is split in half by another song. It is all intentional though. More than that, unlike any other lecca album, it establishes a melodic theme that runs throughout the entire CD, book-ended by the opening and closing tracks. This type of musical thematic design was a first for lecca, and to date remains her only album with such an over-arching form.I also want to point out something that always makes me laugh. The lyrics of the song ‘BELLE EPOQUE’, featuring Diggy-MO’, crack me up. Specifically, fifty-four seconds into the song lecca says in English: “Let’s make a hot shit.” It does not sound like it because she slurs the last word, but that is what’s printed in the lyric booklet that comes with the album. It always makes me laugh because I can’t understand what point she was trying to make or what she thought that contributed to the song.Anyways, I hope you enjoy the album! Requests are welcome as always, and my thanks to everyone who downloads these albums I rip because I love sharing my passion for Japanese music.
03/18 11:20 bleach