旋风动漫BT资源发布索引 | 汇聚动漫BT/ED资源
Tsubakiya Shijuusou - Tokyo City Rhapsody 6 February 2008 Tsubakiya Shijuusou, i.e. ‘Tsubakiya Quartet’, is one of those bands that struggled to keep a stable line-up. Ironically, considering their name, the band had four stable members for only five years out of their eleven year career 2000–2011. However, it was during those five years 2005–2010 that Tsubakiya Shijuusou released the majority of their work.Vocalist and guitarist Nakada Yuuji created the band in 2000. He spent two years in Sendai performing with different musicians before finally recruiting Kodera Ryouta as a drummer and Nagata Takashige on bass. Nakada was writing music all throughout these two years and the volatile membership of the band seemed to affect his influences. Tsubakiya Shijuusou was always a rock band, but the early flux of members and Nakada’s efforts to form a stable band brought him into contact with jazz-rock musicians, metal, electronica, light-rock and pop, and so on. Traces of them appear all throughout their discography, including this album.As a trio it took only a year before an indie label signed Tsubakiya Shijuusou. A year later they would released their first indie album, Shinkou Naru Shinzou, and then go on a period of touring. That was the time, in early 2005, that the band recruited its fourth and final member, guitarist Yasutaka Takurou who coincidentally would be the first to leave the band. They released one more indie album, Bara to Diamond, and then signed with a major label, Warner Music Japan.As a quartet Tsubakiya Shijuusou proved energetic in the work. In the period of 2005–2010 the band never had less than two releases per year, for a total of eight singles, three studio albums, and one best-of album. This album, Tokyo City Rhapsody, appeared in the wake of a series of singles. It was the band’s first major studio album, and even though it is a firmly rooted melodic rock album, one can hear the faint whispers of different genres that affected Nakada’s song-writing as he would write most of the band’s music. He was never extremely experimental during those years, but he and the rest of the band produced a refreshing flavor of rock, particularly when compared against the mainstream chart-toppers of the time.Two years later Yasutaka would leave following their second album, and a year after that the Tsubakiya Shijuusou came to a rather abrupt end. The only releases after Yasutaka’s departure were compilations, one which focused primarily on their music post-2006 and another which focused more on the 2002–2005 era. They’re worth getting if you enjoy the band, as personally I think their indie work prior to mid-2005 sounded promising but was hit or miss in general, and the compilations weed out those ‘misses’.I’m going on and on again…. At any rate, enjoy the album!
03/18 11:15 anime
Namie Amuro - Sweet 19 Blues 22 July 1996 Sweet 19 Blues is Namie Amuro’s first studio album, uploaded by request for Shirokij.I feel like anyone reading this already knows Namie Amuro. She is like Ayumi Hamasaki or Utada Hikaru—you cannot listen to J-Pop and not come across solo artists who are that popular and have had that much success in the industry. I usually try to give some biographical information about each musician or band I upload, but forgive me for assuming everyone already knows Namie Amuro.So instead of talking about Amuro in general I want to talk about this album in particular, and specifically the connection to Tetsuya Komuro. Known to many by his initials TK, Komuro made a name for himself in the early 80’s as a member of the band TM Network. A decade later he was writing songs for a lot of up-and-coming pop artists: Namie Amuro, hitomi, Ami Suzuki, Ryouko Shinohara, and he was performing in the band Globe with his future wife Keiko Yamada and French DJ Marc Panther—and band that would later include Yoshiki from X Japan. The point I’m trying to make is simply this: Tetsuya Komuro was the mastermind of 90’s J-Pop. That is the time when I personally began listening to Japanese music and following the industry, and I remember thinking that everything TK touched turned to gold. Every top-selling J-Pop single or album seemed to involve him in some way. He knew how to scout the best talent, how to promote artists, how to write the music that people seemed to want the most—everything Tetsuya Komuro did in the 90’s made him look like a genius.I mention all of this because TK was the producer for Namie Amuro’s debut album, and arguably he worked more closely with her on it than he would any other album of hers. European-style dance and club music was becoming popular in Japan during the mid-90’s. In fact, in 1995 Namie Amuro was working together with Dave Rogers, an Italian producer and musician himself. Later in 1995 Amuro signed with Avex Trax, where TK was working, and he was quick to capitalize on both Amuro’s talent for that type of music and the general public’s demand for it. In the final four months of 1995 Namie Amuro produced two singles with TK, one of which sold over one-million copies. It was a huge commercial success and a sign of things to come. In 1996 the two worked together on Sweet 19 Blues, which was another huge hit. And the rest is history really.If you’re a Namie Amuro fan but you haven’t heard her earliest work then you really ought to check out this album. Sweet 19 Blues is a pop-dance album, without question, but personally I think the album has more variety than any album Namie Amuro would go on to release until Play in 2007. The album was wildly popular and became the best selling Japanese album of all time, until Utada Hikaru released First Love in 1999 which as of 2013 remains the best selling Japanese album ever. Takahiro Maeda worked on many of the lyrics for Sweet 19 Blues and the influences such as the mellow pop/rap style of songs like ‘Private’ represents the type of variety that would vanish from Amuro’s following albums.Hope you enjoy it Shirokij, and everybody else too! I’ve already picked out some albums to rip and upload over the weekend, but as always I’ll try to help with any requests, so feel free to ask.
03/18 11:15 anime
[얼티메이트] [130918] THE IDOLM@STER 765PRO ALLSTARS+ GRE@TEST BEST! -THE IDOLM@STER HISTORY- 320K+BK My Blog : http://ultimate17.blog.me/ | My Twitter : http://twitter.com/ultimate7777777Email : [email protected] IDOLM@STER 765PRO ALLSTARS+ GRE@TEST BEST! -THE IDOLM@STER HISTORY-発売日 : 2013/09/18商品番号 : COCX-38070JAN : 4988001748410メディア CD組枚数 2[内容紹介]アイドルマスター最新BESTシリーズ4ヶ月連続リリース決定 ! 第1弾となる今作は、今までのアイドルマスターの代表的な楽曲を収録した、まさにアイドルマスターの歴史を追うことのできる作品。新作リリースごとにオリコンランキングを賑わしているアイドルマスターの代表曲を揃えた今作は、幅広い層のアニメファン・アイドルファン必携の作品となるに違いない ! さらに、今回のベストは全4作のシリーズとなっており、つづく3タイトルはサブタイトルにそった代表曲を2枚組のボリュームで収録 !! このベストのシリーズには、昨年10月に発売となったPSP用の新作アニメ付き・アイマスリズムゲーム『アイドルマスター シャイニーフェスタ』からの新曲「MUSIC♪」「ビジョナリー」「edeN」、「Vault That Borderline!」も収録 !収録曲01. THE IDOLM@STER M@STER VERSION -REMIX-歌 : 天海春香CV.中村繪里子、如月千早CV.今井麻美、高槻やよいCV.仁後真耶子、萩原雪歩CV.浅倉杏美、菊地真CV.平田宏美、双海亜美/真美CV.下田麻美、水瀬伊織CV.釘宮理恵、三浦あずさCV.たかはし智秋、秋月律子CV.若林直美02. GO MY WAY!! M@STER VERSION歌 : 天海春香CV.中村繪里子、高槻やよいCV.仁後真耶子、水瀬伊織CV.釘宮理恵03. i歌 : IM@S ALLSTARS+04. 空歌 : 音無小鳥CV.滝田樹里05. shiny smile M@STER VERSION歌 : 天海春香CV.中村繪里子、如月千早CV.今井麻美、秋月律子CV.若林直美06. Colorful Days M@STER VERSION歌 : 天海春香CV.中村繪里子、如月千早CV.今井麻美、双海亜美CV.下田麻美07. L・O・B・M歌 : IM@S ALLSTARS++08. “HELLO!!” M@STER VERSION歌 : 日高愛CV.戸松遥、水谷絵理CV.花澤香菜、秋月涼CV.三瓶由布子09. MEGARE! M@STER VERSION歌 : 765PRO ALLSTARS10. The world is all one !! M@STER VERSION歌 : 765PRO ALLSTARS11. READY!! M@STER VERSION歌 : 765PRO ALLSTARS12. CHANGE!!!! M@STER VERSION歌 : 765PRO ALLSTARS13. 自分REST@RT M@STER VERSION歌 : 天海春香CV.中村繪里子、星井美希CV.長谷川明子、如月千早CV.今井麻美、高槻やよいCV.仁後真耶子、萩原雪歩CV.浅倉杏美、菊地真CV.平田宏美、双海真美CV.下田麻美、四条貴音CV.原由実、我那覇響CV.沼倉愛美14. 私たちはずっと…でしょう?歌 : 765PRO ALLSTARS15. MUSIC♪ M@STER VERSION歌 : 765PRO ALLSTARS16. 団結2010 [BONUS TRACK]歌 : IM@S 765PRO ALLSTARSDDL : http://pan.baidu.com/share/link?shareid=2465873597&uk=909943203 Password : t571Magnet
03/18 11:15 one_piece (讨论)
[얼티메이트] [130918] THE IDOLM@STER 765PRO ALLSTARS+ GRE@TEST BEST! -THE IDOLM@STER HISTORY- FLAC+BK My Blog : http://ultimate17.blog.me/ | My Twitter : http://twitter.com/ultimate7777777Email : [email protected] IDOLM@STER 765PRO ALLSTARS+ GRE@TEST BEST! -THE IDOLM@STER HISTORY-発売日 : 2013/09/18商品番号 : COCX-38070JAN : 4988001748410メディア CD組枚数 2[内容紹介]アイドルマスター最新BESTシリーズ4ヶ月連続リリース決定 ! 第1弾となる今作は、今までのアイドルマスターの代表的な楽曲を収録した、まさにアイドルマスターの歴史を追うことのできる作品。新作リリースごとにオリコンランキングを賑わしているアイドルマスターの代表曲を揃えた今作は、幅広い層のアニメファン・アイドルファン必携の作品となるに違いない ! さらに、今回のベストは全4作のシリーズとなっており、つづく3タイトルはサブタイトルにそった代表曲を2枚組のボリュームで収録 !! このベストのシリーズには、昨年10月に発売となったPSP用の新作アニメ付き・アイマスリズムゲーム『アイドルマスター シャイニーフェスタ』からの新曲「MUSIC♪」「ビジョナリー」「edeN」、「Vault That Borderline!」も収録 !収録曲01. THE IDOLM@STER M@STER VERSION -REMIX-歌 : 天海春香CV.中村繪里子、如月千早CV.今井麻美、高槻やよいCV.仁後真耶子、萩原雪歩CV.浅倉杏美、菊地真CV.平田宏美、双海亜美/真美CV.下田麻美、水瀬伊織CV.釘宮理恵、三浦あずさCV.たかはし智秋、秋月律子CV.若林直美02. GO MY WAY!! M@STER VERSION歌 : 天海春香CV.中村繪里子、高槻やよいCV.仁後真耶子、水瀬伊織CV.釘宮理恵03. i歌 : IM@S ALLSTARS+04. 空歌 : 音無小鳥CV.滝田樹里05. shiny smile M@STER VERSION歌 : 天海春香CV.中村繪里子、如月千早CV.今井麻美、秋月律子CV.若林直美06. Colorful Days M@STER VERSION歌 : 天海春香CV.中村繪里子、如月千早CV.今井麻美、双海亜美CV.下田麻美07. L・O・B・M歌 : IM@S ALLSTARS++08. “HELLO!!” M@STER VERSION歌 : 日高愛CV.戸松遥、水谷絵理CV.花澤香菜、秋月涼CV.三瓶由布子09. MEGARE! M@STER VERSION歌 : 765PRO ALLSTARS10. The world is all one !! M@STER VERSION歌 : 765PRO ALLSTARS11. READY!! M@STER VERSION歌 : 765PRO ALLSTARS12. CHANGE!!!! M@STER VERSION歌 : 765PRO ALLSTARS13. 自分REST@RT M@STER VERSION歌 : 天海春香CV.中村繪里子、星井美希CV.長谷川明子、如月千早CV.今井麻美、高槻やよいCV.仁後真耶子、萩原雪歩CV.浅倉杏美、菊地真CV.平田宏美、双海真美CV.下田麻美、四条貴音CV.原由実、我那覇響CV.沼倉愛美14. 私たちはずっと…でしょう?歌 : 765PRO ALLSTARS15. MUSIC♪ M@STER VERSION歌 : 765PRO ALLSTARS16. 団結2010 [BONUS TRACK]歌 : IM@S 765PRO ALLSTARSDDL : http://pan.baidu.com/share/link?shareid=2464190307&uk=909943203 Password : 70xnMagnet
03/18 11:15 naruto (讨论)
[얼티메이트] [130918] TVアニメ「帰宅部活動記録」キャラソン&サントラ集「帰宅部@音楽室♪」Kitakubu Katsudou Kiroku Character Song & Soundtrack Collection 320K+BK My Blog : http://ultimate17.blog.me/ | My Twitter : http://twitter.com/ultimate7777777Email : [email protected]アニメ「帰宅部活動記録」キャラソン&サントラ集「帰宅部@音楽室♪」発売日 : 2013/09/18商品番号 : VPCG-80662JAN : 4988021806626メディア CD組枚数 3音楽 : 坂部剛[内容紹介]「帰宅部活動記録」の可愛いキャラクターソングとアニメの世界を彩るサウンドトラックがCDになって登場! [DISC1 キャラソンディスク]にはエンディングテーマ「ワクワクDAYS☆」歌: 安藤夏希 CV.木戸衣吹&道明寺桜 CV.小林美晴 作詞: 碑文谷ひんと/作・編曲: 吉田将樹ほかキャラクターソング全5曲収録予定。 [DISC2 サントラディスク]には劇伴 音楽: 坂部剛を収録。収録曲Disc 101. ワクワクDAYS☆作詞 : 碑文谷ひんと / 作・編曲 : 吉田将樹歌 : 安藤夏希CV.木戸衣吹&道明寺桜CV.小林美晴02. 花火作詞 : 碑文谷ひんと / 作・編曲 : 吉田将樹歌 : 大萩牡丹CV.相内沙英&あざらしCV.M・A・O03. キミについて言えること作詞 : 碑文谷ひんと / 作・編曲 : とく歌 : 塔野花梨CV.結名美月&九重クレアCV.千本木彩花04. ベスト・フレンズ作詞 : 黒田椋子IOSYS / 作曲 : ARMIOSYS&酒井由紀子 / 編曲 : 酒井由紀子歌 : 道明寺桜CV.小林美晴、大萩牡丹CV.相内沙英、九重クレアCV.千本木彩花05. 女の子の法則作詞 : mildsalt / 作曲 : 田代智一 / 編曲 : 安岡洋一郎歌 : 安藤夏希CV.木戸衣吹、塔野花梨CV.結名美月、古橋愛CV.田辺留依06. ワクワクDAYS☆ TVサイズ歌 : 安藤夏希CV.木戸衣吹&道明寺桜CV.小林美晴07. 花火 TVサイズ歌 : 大萩牡丹CV.相内沙英&あざらしCV.M・A・O08. キミについて言えること TVサイズ歌 : 塔野花梨CV.結名美月&九重クレアCV.千本木彩花09. ベスト・フレンズ TVサイズ歌 : 道明寺桜CV.小林美晴、大萩牡丹CV.相内沙英、九重クレアCV.千本木彩花10. ワクワクDAYS☆ ~帰宅部全員Ver.~ TVサイズ歌 : 安藤夏希CV.木戸衣吹、塔野花梨CV.結名美月、道明寺桜CV.小林美晴、大萩牡丹CV.相内沙英、九重クレアCV.千本木彩花11. ワクワクDAYS☆ カラオケVer.12. 花火 カラオケVer.13. キミについて言えること カラオケVer.14. ベスト・フレンズ カラオケVer.15. 女の子の法則 カラオケVer.Disc 201. 帰宅部のテーマ02. Lets Go Home!!03. Chat I04. あざらし05. 夏希のテーマ06. 夏来たる07. Catch the 帰宅部 I08. 経理ソフト09. 牡丹のテーマ10. 武勇伝11. くるくる帰宅部12. Lets Go Out!!13. 帰宅ッサノバ I14. ロッキー山脈15. Chat II16. さくらのテーマ17. 魔王18. 帰宅2:5019. 花梨のテーマ20. トラ仮面さん21. Parasol22. Kowai23. カルーセル金太郎24. 恐怖のイスとりゲェーム25. 生徒会長のテーマ26. Catch the 帰宅部 II27. ブラッディシャークマキシマムマムシX28. 観察 -オーボエのための-29. Chat III30. お誕生日31. 星野戦争32. 帰宅18:0033. クレアのテーマ34. 帰宅クイズ35. 帰宅ッサノバ II36. Kitaku Quest37. Never Ending 帰宅38. Chat IV39. Black Diary40. 四天王のテーマ41. Rhythm42. メルヘンチックな帰宅43. 夢芝居 feat.富三郎笛44. レッドドラゴンミディアムZ45. Chat V46. ムダカ、ムダナノカ47. 頭脳戦48. Possible Mission 00749. Next Week Coming 帰宅部M17:作詞 : ヨハン・ヴォルフガング・フォン・ゲーテ作曲:フランツ・ペーター・シューベルト / 編曲 : 坂部剛歌 : 道明寺桜CV.小林美晴DDL : http://pan.baidu.com/share/link?shareid=660964929&uk=4248039203 Password : nf7kMagnet
03/18 11:15 one_piece (讨论)
Kitakubu Katsudou Kiroku Character Song & Soundtrack Collection [320k+scans] Title: Kitakubu Katsudou Kiroku Character Song & Soundtrack CollectionType OST: AnimeCN:VPCG-84948 Artist: Ibuki Kido, Miharu Kobayashi, Sae Aiuchi, M・A・O, Mizuki Yuina, Sayaka Senbongi, Rui Tanabe CDs:2Number of songs: 15/49Release Date: 18/09/2013>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> Tracklist: >>>>>>>>>>>>CD101ワクワクDAYS☆02花火03キミについて言えること04ベスト・フレンズ05女の子の法則06ワクワクDAYS☆ TVサイズ07花火 TVサイズ08キミについて言えること TVサイズ09ベスト・フレンズ TVサイズ10ワクワクDAYS☆ ~帰宅部全員ver.~ TVサイズ11ワクワクDAYS☆ カラオケver.12花火 カラオケver.13キミについて言えること カラオケver.14ベスト・フレンズ カラオケver.15女の子の法則 カラオケver.CD201帰宅部のテーマ02Lets Go Home!!03Chat ?04あざらし05夏希のテーマ06夏来たる07Catch the 帰宅部 ?08経理ソフト09牡丹のテーマ10武勇伝11くるくる帰宅部12Lets Go Out !!13帰宅ッサノバ ?14ロッキー山脈15Chat ?16さくらのテーマ17魔王18帰宅2:5019花梨のテーマ20トラ仮面さん21Parasol22Kowai23カルーセル金太郎24恐怖のイスとりゲェーム25生徒会長のテーマ26Catch the 帰宅部 ?27ブラッディシャークマキシマムマムシX28観察 -オーボエのための-29Chat ?30お誕生日31星野戦争32帰宅18:0033クレアのテーマ34帰宅クイズ35帰宅ッサノバ ?36Kitaku Quest37Never Ending 帰宅38Chat ?39Black Diary40四天王のテーマ41Rhythm42メルヘンチックな帰宅43夢芝居 feat.富三郎笛44レッドドラゴンミディアムZ45Chat ?46ムダカ、ムダナノカ47頭脳戦48Possible Mission 00749Next Week Coming 帰宅部>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>www.animeost.info
03/18 11:15 naruto (讨论)
Sifow - Love Spell 15 August 2007 Shiho Fujita, better known by the pseudonym Sifow, has had a brief but interesting career as a musician.As a teenager Sifow fell in love with the ganguro fashion style—you know, this. In 2004, at the age of eighteen, Sifow began to appear in ganguro fashion magazines and related advertisements. This quickly brought her a lot of attention, both positive and negative. On the one hand, Sifow proved to be an immediate success in the fashion world, glamorizing the ganguro style she loved. However, on the other hand, she also began to receive a lot of negative feedback from people who feel the entire ganguro look is representative of a problem with young Japanese girls, and with Sifow’s popularity they called her out as effectively championing that ‘poisonous’ movement.”RobbyLob, you’re rambling again. What does this have to do with her music or anything?” Good question.The negative reactions Sifow received for her choices in modeling coincided with her decision to become a singer. In 2005 this culminated in her releasing the single I Uta. She produced the single herself and printed only two-thousand copies under the realistic assumption that she would not be an overnight sensation. Well she was wrong; half of those two-thousand CDs sold in less than twenty-four hours. What made this more impressive was the fact that Sifow had promoted the single entirely over the Internet; she created a promotional video for the single, but again, it was only released online and did not initially play on television music networks. Sifow released a total of four singles that year, all of them selling out rapidly, and that caught the attention of Avex Trax. They offered to sign her and she accepted.Sifow decided to use her new-found popularity in music to combat the negative stereotypes surrounding ganguro culture. She addressed the subject in the lyrics for her songs—which she always wrote her own lyrics—and continued to rather flagrantly flaunt the ganguro style on the covers and promotional material for her singles and albums. Sifow is not the first J-Pop musician to begin as a model, and she certainly will not be the last. But few have made the subject of fashion itself the focal topic of their music.On the subject of Love Spell itself, her second album, it is what I would consider typical J-Pop in most respects. It perhaps borrows more from the euro-beat genre than most. The album reminds me of the mid-to-late 90’s music of Kimura Yuki. There is nothing about the composition of Sifow’s music that is revolutionary or ground-breaking. But that doesn’t imply an absence of quality. Love Spell is an entertaining pop album in my opinion, and while Sifow is not a stunning vocalist she still gives a solid performance. The contrarian nature of her lyricism and overall presentation provides an interesting texture to her music that helps it stand out—in my opinion anyways.Sifow has been on indefinite hiatus since the release of Love Spell. Technically she still has a working relationship with Avex Trax. But it remains to be seen whether or not Sifow will return to Japanese music. If she does not, then at least in two years she created two entertaining an interesting J-Pop albums with a borderline activist agenda behind them.Sorry for rambling on and on again. Enjoy the album!
03/18 11:15 bleach