旋风动漫BT资源发布索引 | 汇聚动漫BT/ED资源
immi - Switch 6 August 2008 Mayu Nakazawa is better known by her stage name: ‘immi’. It is not uncommon for musicians to adopt a different moniker for performances. But Nakazawa first attempted a music career under her own named and failed.A pianist since childhood, Nakazawa began writing her own music and performing when she was in high school. During this time she came to the attention of a producer at Universal Music Japan who encouraged her to move to Tokyo. Nakazawa took the advice and made the move in 2001, signing with the company and began recording in studios. Within one year Nakazawa created and released three singles and one album, Step Into my Heart 27 November 2002. They were all commercial failures and Universal Music Japan subsequently terminated her contract.It seemed like Mayu Nakazawa had blown her one chance at a music career. She receded from the Tokyo scene and slowly began to rework her style. During this time she adopted the name immi and began composing electronic music that drew influences from contemporary club music and 1980’s Western synth-pop/rock. She re-emerged with the label Grand Trax and released her first single as immi, Cosmic Pink, on the 28th of Novmber 2007, almost five years to the date that she released her last album. Unlike her earlier endeavors Cosmic Pink was quickly successful and was swiftly followed by another single, Klaxon.immi released her first album under this name a little less than a year later. This time her album was both commercially and critically successful, making it onto to Oricon charts, something that did not happen with any of her music released under her real name. Critics praised her combination of sultry vocals and measured synth-pop that washed over listeners like a wave instead of trying to blow out the speakers e.g. ‘Power Station’. A year later immi signed with DefStar Records and released her second album, Spiral, in 2010 to even greater success.It seems like most people do not get second chances in the music industry. Mayu Nakazawa blew her first chance, but instead of calling it quits she began a musical self-reconstruction that lasted five years and resulted in her return as immi. The two albums I’ve mentioned are her only ones as immi; I would have uploaded them both but I can’t find my copy of Spiral damnit…. Anyways—nowadays a lot of her focus has gone into Tacomimi, a duo of her and DJ Jetbikini, a long-time friend who actually made some contributions to immi’s two studio albums.I’ll upload Spiral whenever I actually find it, along with the remix album for Switch. Until then, as always, I hope you enjoy the music!
03/18 11:20 naruto
lecca - City Caravan 30 July 2008 I am uploading this album for reasons I describe in the description for Gollbetty’s Betty’s Buggy, which you can find on my user page. In the past I uploaded lecca’s eponymous debut album and talked about her there, so I’ll try not to repeat myself; but those of you who do me favor of actually reading this stuff I write thanks! know that I usually chatter on and on anyways.In my opinion City Caravan has the most interesting structure of all of lecca’s albums. You will notice from the track list that it not only has a prologue and epilogue, but also four tracks directly related to the title itself. At first glance they appear to come in the wrong order: what should be the first song is the final track, ‘City Caravan II’ comes first, and ‘City Caravan III’ is split in half by another song. It is all intentional though. More than that, unlike any other lecca album, it establishes a melodic theme that runs throughout the entire CD, book-ended by the opening and closing tracks. This type of musical thematic design was a first for lecca, and to date remains her only album with such an over-arching form.I also want to point out something that always makes me laugh. The lyrics of the song ‘BELLE EPOQUE’, featuring Diggy-MO’, crack me up. Specifically, fifty-four seconds into the song lecca says in English: “Let’s make a hot shit.” It does not sound like it because she slurs the last word, but that is what’s printed in the lyric booklet that comes with the album. It always makes me laugh because I can’t understand what point she was trying to make or what she thought that contributed to the song.Anyways, I hope you enjoy the album! Requests are welcome as always, and my thanks to everyone who downloads these albums I rip because I love sharing my passion for Japanese music.
03/18 11:20 bleach
Gollbetty - Bettys Buggy 6 August 2008 The Japanese music scene boasts a number of great ska bands, and Gollbetty was one of them. I say ‘was’ because they disbanded in 2010. Their six year career began back in 2004—congratulations to me for doing basic math—in the Nagoya area. Nagoya is not as big of a music scene as Shibuya or Osaka, but it does have a strong punk rock pulse which over the years has produced bands like Kuroyume and Phobia. So it should come as no surprise that Gollbetty incorporates pop-punk into their overall ska sound.Gollbetty propelled into success partially because of their vocalist: g-yun. During the formative year of the seven-member band she was also working as a fashion model. It did not take long for someone—in this case Run Run Run Records—to find out g-yun was also the front-woman of a band. And so Gollbetty signed with a label faster than most indie bands. Personally, I think that is superficially unfair, the fact that Gollbetty was able to get a label faster than their peers simply because of their vocalist’s attractiveness. I say that as if the entire J-pop industry does not work that way. However, to her credit, g-yun was not just a pretty face; she packed the booming vocals and energetic stage presence that fit perfectly with Gollbetty. In six years they released four original albums; none of them were chart-topping commercial successes, but all were critically well-received.Now for a game of ‘Good News, Bad News’.Yesterday I said I would be uploading two albums today. I hope you interpret that as good news. But my reasons for doing so are the bad news: my copy of Betty’s Buggy has a scratch across the back and when I ripped the CD it screwed up the second track. I tried to fix this in multiple ways, but I could not get the track off the album without errors; and I couldn’t find the album anywhere else online or I would have just used that to replace the track. So to apologize for uploading an album with a damaged track I am uploading two albums today, this one and City Caravan by lecca, which you will find listed on my user page.Sorry about the damaged track, but I hope you enjoy the album anyways!
03/18 11:20 bleach
m-flo - Neven 13 March 2013 I have said before that I started uploading one album a day with the intent of introducing people to both older albums and Japanese artists they may not have ever heard of. So this upload is a rare change of form, the first time I’ve uploaded something which came out this year. I was simply surprised to see it was not available here. I’m about to go into one of my common long-winded rants, so the ‘TL;DR’ version is this: m-flo is awesome and so is this album.Often I like to provide some biography for the artist whose music I’m uploading, but m-flo is one of the most successful Japanese hip-hop groups in history. I’ll assume most of you have some idea of who they are—not that it will prevent me from rambling on about them. But what I’d like to try and do is frame the album Neven from the view of a fan who has followed their career from the start and how it stacks up against their previous albums.The first, immediately noticeable aspect of Neven is how it continues to carry on traces of Planet Shining, m-flo’s debut album from 2000. m-flo was undeniably a different group then. They were a trio: emcee Verbal Young-Ki Yu, DJ Taku Takahashi, and Elisabeth Sakura Narita, better known as Lisa. The music of Planet Shining reflected their mixture of abrasive urban sounds and soulful youth. The bright-red, photo negative album cover featuring the three members sitting among a faceless crowd makes a visually blunt statement: this was three people who were dead-set on doing their own thing in a country where conformity is the norm. But where’s the connection to Neven? You can hear it in the first ten seconds of both: the albums open with prologue of female narration that leads into the second track, and both albums have short tracks of dialogue laced throughout. The sonic nature of Planet Shining sounds a world apart from the house music of Neven but the both share an atmospheric structure built by the weaving narration.m-flo’s second album, Expo Expo, came a year later in 2001 and shared a similar structure. It is notable for showing the earliest signs of m-flo moving in the direction of the house/club music style of Neven, but also because it would be their last album as a trio. Lisa left the group on bad terms and began her solo career. Fortunately though they would reconcile later and begin collaborating again, but m-flo has remained a duo of Verbal and Taku ever since.Lisa’s departure triggered m-flo’s series of collaborations with other Japanese musicians: BoA, Bonnie Pink, Ryuichi Sakamoto, Crystal Kay, Bennie K, Miliyah Katoh, Emi Hinouchi, Akiko Wada, Ryohei Yamamoto, Sowelu, Diggy-mo, Yoshika, Namie Amuro—between 2003 and 2009 m-flo worked with more guest vocalists on their albums than I can name. This proclivity to bring in a plethora of vocalists continues with Neven, albeit with one interesting difference that I will mention later. Neven features:* Miliyah Kato* Minmi* Minami* Matt Cab* Kiko Mizuhara* UnicoThe last two make their debut on Neven actually. The difference I mentioned is that Neven does not explicitly mention the vocalists in the song titles. This is only the second time m-flo has omitted that information from the track titles; the first time was their 2012 album Square One. That album came at the end of a five year hiatus during which Verbal and Taku worked on solo projects. To be completely honest, I felt like Square One was disappointing. Verbal and Taku admitted that they were still somewhat in the mindset of being solo artists when creating the album, and there is a lack of overall cohesion that I find in their previous albums. Neven does not suffer from this problem. It’s release came so soon after Square One because the Verbal and Taku had rediscovered their ‘zone’ as a duo and were able to compose and create music with the pace and focus you see in albums like 2004’s Astromantic and 2005’s Beat Space Nine. In fact, m-flo was writing some songs for Neven just prior to the release of Square One.This all leads to Neven, their seventh album referenced by the name, having the sonic focus of older albums like Beat Space Nine mixed with the atmospheric structure of Planet Shining and the effective collaboration of Astromantic. Personally I think it’s a terrific album, but I admit to being biased as I love m-flo.Sorry for the lengthy rambling and ranting, as well as the later than usual upload. I hope you like Neven. And tomorrow I have two albums ready to upload instead of just one, for a reason I’ll explain then. Until then, as always, enjoy!
03/18 11:20 anime
[Aegrus] [13-10-10] supercell [MP3] [320] AegrusJoin us on Rizon irc.rizon.net at #aegrus for the latest news on upcoming releases and more.supercell DiscographyAlbums:supercellToday is a Beautiful DaySingles:My DearestThe Braveryうたかた花火星が瞬くこんな夜にさよならメモリーズ僕らのあしあと - 告白君の知らない物語拍手喝采歌合銀色飛行船【通常盤】Summary: Supercell stylized as supercell is a Japanese 11-member J-pop music group led by songwriter Ryo, which formed in 2007 as a dōjin music group. The other 10 members are artists and designers who provide illustrations in album booklets and music videos. Supercell started out by making use of the Hatsune Miku Vocaloid singing synthesizer to produce vocals for songs submitted to the Nico Nico Douga video sharing website. The popularity of the songs led the group to release their independent self-titled album Supercell 2008. Supercell later signed to Sony Music Entertainment Japan and had a professional release of their Supercell album in March 2009, which was updated with more songs.Supercell made a transition to vocalist Nagi Yanagi with their debut single "Kimi no Shiranai Monogatari" 2009. Two more singles featuring Yanagi were released in 2010, followed by Supercells second album Today Is A Beautiful Day 2011, which was Yanagis last contribution with Supercell. Following Yanagis departure, Supercell held auditions for vocalists, and two girls were chosen out of about 2,000 candidates: 15-year-old Koeda and 17-year-old Chelly. Both vocalists sing the theme songs for the 2011 anime Guilty Crown, and released their first singles with Supercell in 2011. Chelly sings under the alternate name Egoist.Supercell and Today Is A Beautiful Day were awarded a Gold Disc by the Recording Industry Association of Japan for having exceeded 100,000 copies shipped in a single year, and Supercell was chosen as one of the best five new Japanese artists of 2009 during the 2010 Japan Gold Disc Award competition.概要supercell(スーパーセル)は、コンポーザーのryoを中心にイラストレーターやデザイナーが集ったクリエイター集団である。メンバーにはボーカルはおらず、supercell名義で発表する楽曲については、ファーストアルバムでは音声合成ソフトの「初音ミク」をボーカルに用い、セカンドアルバムまでの楽曲ではnagiを、セカンドアルバムの後は、こゑだをゲストボーカルに迎えている。所属芸能事務所は、インクストゥエンター。所属レコードレーベルは、Sony RecordsおよびSOULTAG・GT musicと、ソニー・ミュージックエンタテインメント系列のレーベルに同時在籍。
03/18 11:19 anime (讨论)
[Aegrus] [13-10-11] ナノ nano [MP3] [320] AegrusJoin us on Rizon irc.rizon.net in #aegrus for the latest news on upcoming releases and more.Note:SAVIOR OF SONG ナノ ver. single is incomplete but the SAVIOR OF SONG feat. MY FIRST STORY track has been included and properly tagged. We will release an updated version of the discography sometime around October 30th when the single is set to go on sale; it has been pre-ordered.Only official releases have been included, there may at a later date be a compilation of her cover songs.nano DiscographyAlbums:nanoirNRemember your color.Singles:No pain, No gameNow or NeverSAVIOR OF SONG ナノ ver. IncompleteSummary: nano ナノ is a bilingual utaite known for her strong, tomboyish voice. Due to her deep voice, she could be considered a "ryouseirui". She can sing in both Japanese and English, as she was born in New York. She returned to Japan however, therefore some of her covers are tagged with "The returnee has" 帰国子女が. She also often writes English lyrics for the VOCALOID songs she covers, giving them a western touch without losing the original style. Therefore she often tags her songs with "western stylished" 洋楽っぽく. nano mostly covers VOCALOID but also covered some Avril Lavigne songs. Her avatar generally has red mid-length hair and sometimes wears a mask. 概要ナノ(nano)は、日本の歌手。性別不詳。プロフィール非公開。所属レーベルはFlyingDog。所属事務所はホリプロ。アメリカニューヨーク州出身のバイリンガル。
03/18 11:19 naruto (讨论)
[Aegrus] [13-10-10] nano.RIPE [MP3] [320] AegrusJoin us on Rizon irc.rizon.net at #aegrus for the latest news on upcoming releases and more.nano.RIPE DiscographyAlbums:プラスとマイナスのしくみ星の夜の脈の音のSingles:スターチャートパトリシアハナノイロフラッシュキーパーもしもの話ゆきのせいリアルワールド世界点影踏み時空フラスコ空飛ぶクツ細胞キオク絵空事面影ワープSummary: Nano Ripe styled as nano.RIPE is a four-person Japanese pop rock band that formed in 2008 as an indie band. They released one single and three albums independently, but were signed in 2010 to Lantis. They released their major debut single "Patricia" in September 2010. The bands third and fifth singles, "Hana no Iro" and "Omokage Warp", were used as the opening themes to the anime Hanasaku Iroha.概要Vo&G.きみコ、G.ササキジュンを主体に2004年より活動。メンバーチェンジを経て現在の構成となる。2008年に発売のミニアルバム「空飛ぶクツ」では、帯コメントにスピッツの草野マサムネ、ジンのひいたん等に推薦コメントをもらい、話題となる。同作のレコ発ツアーでは、2ヶ月半で全国64本のRelease Trip「えかきうた」を敢行。Finalはshibuya O-WEST。2009年5月13日発売のミニアルバム「時空フラスコ」5月16日のレコ発ツアー初日に、渋谷CHELSEA HOTELにて初ワンマンライブが行われた。2010年7月23日にshibuya O-CRESTにて行われた2度目のワンマンライブにて、Lantisよりメジャーデビューする事が発表される。同年シングル「パトリシア」でLantisよりメジャーデビュー。テレビアニメ『花咲くいろは』関連の楽曲を担当したことで注目され、同作のオープニングテーマにもなったメジャー3枚目のシングル「ハナノイロ」が、オリコンデイリーチャート10位、週間チャートでも初登場15位を記録している。年間100本に及ぶライブにはインディーズ時代より定評がある。Vo&GのきみコはC1000ビタミンレモンのCMソングやふりふりホイップへアカラーのCMナレーションを担当していた経歴がある。2010年12月22日にリリースされた「フラッシュキーパー」の全国30本に及ぶリリースツアー「1700km/h TOUR 2010-2011」のツアーファイナルワンマン下北沢SHELTERが、震災の影響で延期、後の5月16日に振替公演として開催される。3度目のワンマンライブで初のSOLD OUTとなる。NHKで放送されていた熱唱オンエアバトルに1度だけ参戦経験がある。2011年11月12日、渋谷QUATTROのライブを最後にドラムのshinn.が脱退。
03/18 11:19 bleach (讨论)
Strawberry Machine - crazy kilt 11 April 2007 Strawberry Machine, for all intents and purposes, is a solo act for musician and vocalist Akira Okabe. Producer Masashiro Nomura was closely involved with Strawberry Machine in the late 90’s, its formative years; but it was not long before Okabe was doing so much work that Strawberry Machine had become just an alias for her. Interestingly, Strawberry Machine has its roots in a failed project of Nomura’s. In 1997 he was attempting to start a band and needed to recruit a lead vocalist. Akira Okabe auditioned as a backup singer but Nomura decided to make her the lead vocalist, despite the fact he originally wanted a male singer. This band didn’t really go anywhere and so that’s when Okabe and Nomura split to start Strawberry Machine. And then soon after that Nomura began focusing more on business, ultimately reaching the top of abcdefg* Records, their label. This left Strawberry Machine as a solo act for Okabe.Akira Okabe focuses on electronic, synthesizer pop music which often uses samples from television, film, and video games. Her music is comparable to De De Mouse, YMCK, artists like those. If you’ve not heard of them, no worries, I’ll upload their music one day. The variety within Strawberry Machine’s music is impressive considering that Okabe almost never breaks away from the electronic-synth style. She is the only Japanese musician I know of that has claimed aadhunik geet as an influence, a genre of soft music from the country of Nepal. Okabe incorporates traces of such influences into her electronic framework.All of that said, what I hear people comment on most about Strawberry Machine is Okabe’s vocals. She is a quiet, ‘whisper singer’ like Kahiri Kamie, who Okabe credits as an inspiration. The often fast-paced, banging synths paired with Okabe’s restrained whispering creates a contrast that people seem to quickly love or hate. Personally I think it is catchy, but her whispering vocals do sound unfitting at times.As always I hope you enjoy the album! I pick one album per day to rip and upload, but if you have any requests please feel free to leave them in the comments and I’ll provide the music if I have it.
03/18 11:19 naruto
[C84] [Melodic Taste] Anime Song Orchestra IV [V0] Tracklist : Disc 101 sisters noise (「とある科学の超電磁砲S」より) 02 Preserved Roses (「革命機ヴァルヴレイヴ」より) 03 恋は渾沌の隷也 (「這いよれ! ニャル子さんW」より) 04 この世界は僕らを待っていた (「翠星のガルガンティア」より) 05 空からこぼれたStory (「名探偵ホームズ」より) 06 僕じゃない (「革命機ヴァルヴレイヴ」より) 07 ジョジョ ~その血の運命~ (「ジョジョの奇妙な冒険」より) 08 嵐の勇者(ヒーロー) (「勇者特急マイトガイン」より) 09 夢冒険 (「アニメ三銃士」より) 10 愛してる (「続 夏目友人帳」より) Disc 201 sisters noise (「とある科学の超電磁砲S」より) 02 Preserved Roses (「革命機ヴァルヴレイヴ」より) 03 恋は渾沌の隷也 (「這いよれ! ニャル子さんW」より) 04 この世界は僕らを待っていた (「翠星のガルガンティア」より) 05 空からこぼれたStory (「名探偵ホームズ」より) 06 僕じゃない (「革命機ヴァルヴレイヴ」より) 07 ジョジョ ~その血の運命~ (「ジョジョの奇妙な冒険」より) 08 嵐の勇者(ヒーロー) (「勇者特急マイトガイン」より) 09 夢冒険 (「アニメ三銃士」より) 10 愛してる (「続 夏目友人帳」より)FLAC : https://mega.co.nz/#!HIJ0mYhC!b-GybWbO-ARSMzTtbKYsxBUDzlYltharMpnNVWbRZXU
03/18 11:19 naruto (讨论)